aesthetics

Working with a building's facade and the roof significantly influence the visual and artistic image of residential buildings. The potential of visual-compositional means for the creation of expressive building forms is only partially used today. Maximizing the efficiency principle of building plots often has a negative impact on the overall aesthetics. Homogeneity, recurrence, absence of profile characterize such architectural solutions.

The content and main issues of the collective monograph “Philosophy of Roman Ingarden and Modernity” edited by Dmytro Shevchuk, issued on materials of the International Conference, which took place in Lutsk at the National University “Ostroh Academy”. In this monograph covered the views and fundamental problems of the famous Polish philosopher in the field of ontology, epistemology, anthropology, axiology, philosophy of literature. We can assume that the authors of the monograph managed to achieve the goal: outlined the significance of R.

This article to make the attempt to exposed the symbol structure in its appearance and geometrical form as to expressed the sacral essence in the temple construction. This structure to manifests through the appearance-idea, the functionary-content to fill up and the sure symbol-sign that is show in the space of temple volume in sacred building. The significance manifests itself by the certain feature of the temple buildings, which in their imaginative expression symbolize the sacral essence of the God Temple that is show in some sacral forms-symbols.

Architecture from the aesthetics criteria point of view is in unique position, is being the high art and utilitarian, material thing at the same time. The famous formula of Vitruvius, "utilitas, firmitas, venustas" [utility, strength, beauty] reveals synthesis of spirit and matter. Architecture, that have been a monumental art, at the same time is very visual: it is constantly around us, has created habitat and acquiring in this way has the obvious superiority in case of influence on people.