correalism.

In the twentieth century, there were significant changes in the paradigm of nderstanding and
creating art and architecture. A revolutionary idea was formed that anything can become a work of art because it
depends not on the quality of the object itself, but on the readiness of the viewer to perceive it. If the visitor of the
exhibition, looking at the exhibits, is overwhelmed with emotions and deep thoughts, then the goal of the gallery
owners and displayed artists is achieved. If not, then no matter how well the canvases or sculptures are done, the

The main idea of the article is the research of Frederick Kiesler impact on formation of contemporary plastic arts instead of ideas of “clear architecture” which were common at that time. Kiesler hadn’t been satisfied with the modern functional architecture of his time – the white painted box. In his extreme architectural vision, Kiesler hoped to perform this same ultimate cleansing – to regenerate and liberate humanity to start all over, free again.