The architectural activity of Serhiy Tymoshenko during the interwar period is considered in the article. Based on revealed archive sources the typology of buildings, designed by him, is defined, the authorship of separate dwelling houses and religious buildings is ascertained, the peculiarities of the creative approach to their design are analyzed. On the example of specific buildings the evolution of architectural-stylistic and volume-planning solutions in the context of modernistic tendencies in the development of architecture in the interwar period, the author’s notion about the implementation methods of the national idea in architecture, based on the synthesis of traditional and new morphology, is reflected.
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