The article attempts to identify the peculiarities of the coverage of the Palestinian-Israeli conflict in the world media. The research was based on publications from the websites of three media outlets –«The Washington Post», «The Guardian» and «Al Jazeera».
The article presents an attempt to define the term «military photography» as a genre of photo- journalism. The article considers the role and significance of military photography in the modern in- formation space in the context of the full-scale Russian-Ukrainian war as an element of visual design of texts and one of the important documents of war crimes recording. The relevance of the publication lies in the fact that armed conflicts, local military unrest, or full-scale wars have long been of interest to the audience in terms of visualizing their course.
In this article you will read about the role of photojournalism in modern conditions, main problems and challenges which photojournalists and editors of modern media face while producing and creating visual content. The author has made an attempt to analyze moral and 30 ethical values in work of photocorrespondents and photoreporters, find an effective model of person’s work with a camera or any other shooter depending on requirements of owners and editors of the mass media. The author emphasizes on objectivity or subjectivity of visual content in modern mass media.