сакральне мистецтво

TEMPLE SYMBOLISM IN THE ARCHITECTURE OF MIDDLE AGES EUROPE

The article traces the interpretation of Christian symbolism in the Middle Ages, analyzes the works of Dionysius the Areopagite, Saint Augustine, John of Damascus.

In the Middle Ages of Christian Europe, God is the Creator always in the center, and the symbols make it possible to know God, to spiritually touch it. Therefore, in the Middle Ages, symbolism develops in Christian art and architecture.

Development of Sacral Architecture In Wooden Treasures of The Sky (Middle of XIX–XXI Centuries)

Skolivshchyna architecture in the tree became famous not only all over Ukraine, but beyond it. After all, Boiko wooden architecture already occupies a prominent place in the history of world architecture with its originality and plurality of building types. Each of these types has its own special image.

General characteristics of the church painting of Skole district (XIX-XX centuries)

In Skole District known works as highly, and folk art. This area stands out from rehionu Boikivshchyna original school of icon painting. Here fulfill orders, local craftsmen and painters from other art centers. Writing about Boykivschyny iconography, V. Sventsitskoho noted that the formation of peculiar features paintings Boikivshchyna were important vzayemodiya professional and folk art, local traditions and overall development of art in Ukraine in tsilomu and penetration phenomena related originated anyway and then dominant trends and directions in art Zahidnoyi Europe.