фотографія

This article critically examines Roger Scruton’s arguments against recognizing photography as art due to its mechanical nature. Scruton claims that photography is merely a reproduction of reality, lacking the creative intentionality found in traditional art forms like painting or theatre. The paper analyzes Scruton’s views within the context of contemporary philosophical discussions on the nature of art and photography. The research methodology includes a comparative analysis of Scruton’s ideas and those of philosophers such as Stanley Cavell, Kendall Walton, and Jean Baudrillard.

Досліджено проблеми, пов’язані з відношенням між суб’єктом фотографування та фотографом у контексті авторського права. Розглянуто також ситуації при використанні фотографій, на яких зображені суб’єкти фотографування, третіми особами.

The article is devoted to the philosophical analysis of important aspects of man’s being, connected with spreading of photography in the modern society. In the investigation of this subject, authors examine the usage of the Poststructuralist Methodology. The objective of the article is to define the poststructuralist methodological concepts spread in the humanitarian studies. The authors focus on several principles of poststructuralist methodology, especially on the principle of structure, the principle of differences, deconstruction, and transgression.