photojournalism

The article reviews scientific publications by Ukrainian and foreign researchers of photography and examines theoretical aspects of modern photodocumentary. The main research methods are content analysis, synthesis, generalization, deduction and induction, and comparison. The description of materials by Ukrainian photojournalists identifies the process of creating visual stories in the printed magazine Reporters. The empirical material analyzed identifies ways of visually reflecting russian aggression.

The publication provides a definition of artificial intelligence in modern media in general and in photojournalism in particular. The directions and spheres of artificial intelligence in the visual design of media content are considered, which has become an everyday manifestation of a post-industrial society characterised by technical innovations, informatisation and digitalisation of most areas and sectors of everyday human activity.

The article presents an attempt to define the term «military photography» as a genre of photo- journalism. The article considers the role and significance of military photography in the modern in- formation space in the context of the full-scale Russian-Ukrainian war as an element of visual design of texts and one of the important documents of war crimes recording. The relevance of the publication lies in the fact that armed conflicts, local military unrest, or full-scale wars have long been of interest to the audience in terms of visualizing their course.

The article is about the fact that in modern mass-media photos more and more often become not only a visual background to informative, analytical or journalistic text, but as headlines attract attention of audience. Such kind of approach increases quality requirements of illustrative material in modern periodicals because popularity of texts which are published in newspapers and magazines depends on that. Some separate photos might become a kind of visual factage which does not need any verbal explanation. 

In this article you will read about the role of photojournalism in modern conditions, main problems and challenges which photojournalists and editors of modern media face while producing and creating visual content. The author has made an attempt to analyze moral and 30 ethical values in work of photocorrespondents and photoreporters, find an effective model of person’s work with a camera or any other shooter depending on requirements of owners and editors of the mass media. The author emphasizes on objectivity or subjectivity of visual content in modern mass media.