intuition

The article deals with the impact of a phenomenology of perception in the depiction of objects in Ivan Levynsky’s works during a graphic plein air for students of the Institute of Architecture of Lviv Polytechnic National University, held in the summer of 2019. The main idea of ​​the event was to try to depict houses and their details not in a dry and academic manner, but emotionally, the way the author intuitively understands and feels an object.

The article examines the experience of understanding the unity of the intuitive and scientific approach in the artist's work. The solution to this problem is connected with the fundamental questions of the methodology of the process of performing the work of art. The unity of intuitive and rational is the key to its harmony. Such a dualistic experience of performing artistic works extends the creative range of the artist, complements it with new spiritual and scientific forms.

The article examines the truth with philosophical and legal perspective. In epistemology truth right primarily understood as a process of knowledge of the truth, each of the stages of which can give only relative truth. Fixing some point in the cognitive process as absolutely true suspends the process and turns the truth into a lie because of a mismatch the new conditions and circumstances. It is ignored on this epistemological circumstances built absolutisation positivists significance norms of the law.

The paper investigates the category of “intuition”, its historical and philosophical traditions, comparative legal analysis of the understanding of the concept of different philosophers of the XVII century, etc.