journalist

Media texts use the names “internally displaced person”, “IDP” (without decoding), “migrant” to refer to people who were forced to change their place of residence within Ukraine due to the war, there are individual cases of using the names “refugee”, “new resident”, “evacuee”, “new arrival”. Each nominative unit has some differences in meaning, confirmed by the media context of their use. The abbreviation “IDP” most often reflects depersonalization, passivity, inability to take active actions.

A smartphone is not only a means of communication, but also a gadget that helps a modern person better understand the effectiveness and optimize some of his own needs. Today, it plays the role of not only a full connection, but also provides constant access to various sources of information, searches for informational opportunities and promotes the popularization of his own content and himself. That is why these gadgets have also rapidly taken an important place in the work of journalists.

Media text is a type of text directly connected with reality. The method of verbal representation of reality depends on the journalist’s language competence, the ability to choose the appropriate word to denote a subject, process or phenomenon, the ability to combine words into phrases and sentences based on semantic and logical compatibility. At the level of the text, the corresponding feature is the preciseness of word usage.

The relevance of the study is determined by the need to find the means of achieving “multi-voice” media text that are optimal for the implementation of the journalist's communicative tasks; one of such tools is the particle movlyav. The article aims to investigate the communicative potential of the the particle movlyav in modern online media texts in the Ukrainian language, the task is to identify the functions of the particle movlyav, the emotional and evaluative load which it gives to the text.

Modern media not only (such as radio, newspapers, television or online journalism), but also the full range of media (e.g. theater, music, exhibitions, cinema, drama, opera, visual arts etc.) promote narrative – interpretive both the journalist and the audience the contexts of the realities referred to in the journalistic presentation. But with the introduction of holistic systems of ideologically united mass media, the narrative is no longer characterized by the temporality or length of interpretations.