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TWO APPROACHES TO RESTORING HISTORICAL BUILDINGS AND ENVIRONMENTS FOR THE THEATRE FUNCTION (BASED ON THE ARCHITECTURAL RECONSTRUCTION AND TECHNICAL REFURBISHING OF THE NEW FACILITY OF RYERSON SCHOOL OF PERFORMANCE, TORONTO, 2015–2016, AND THEATRE ON TH

The architectural reconstruction and technical refurbishing of the new facility of the School of Performance were concerned with accommodating the needs of teaching, production, and performance in a found space, the basement of Ryerson University’s Student Learning Centre with utilizing of the state-of-the-art technologies. Kyiv Academician Theatre of the Podil, one of the leading drama theatre companies in Ukraine, has finally got the permanent home with the state-of-the-art performing facility.

ANALYSIS OF THE GENRE PALETTE OF F. KIESLER’S CREATIVE ACTIVITIES

Kiesler’s art was not based on the theory of form, color, and means; his art was not a political instrument to comment on the state of society, and he did not consider his art to be the product of a scientific process, a result that contained a truth that was absolute. He believed that his art revealed a truth that science could not see, and that truth was the key to a “core” existence. He believed that his process and his ritual were attacked by the deceptive beliefs of others.

DEVELOPMENT OF ARCHITECTURALAND THEATER IDEAS F. KIEZLER IN UKRAINE AND THEWORLD

Today, the whole world is fascinated by the projects of the avant-garde of the first half of the last century, Frederick Kiesler, who received higher education in Vienna, worked in Paris and became famous in the United States, becoming one of the main reformers of space theory. But how many people know that this phenomenal architect, sculptor and designer in the Ukrainian city of Chernivtsi was born and received primary education?

THE METAPHORIC APPROACH TO STAGE DESIGN FOR COUNTRY WIFE BYWILLIAM WYCHERLEY BASED ON THE XVIII – EARLY XIX s. NEO-CLASSICAL ARCHITECTURAL MOTIFS OF “THE GARDEN ROOM”

The article is centered on utilizing of the architectural motifs of the XVIII–XIX s. “Garden Rooms” for the stage design of the production of Country Wife, University of San Diego, 2010.

Lviv cultural and artistic institutions of the late 18th-19th centuries and their influence on the development of the city

Lviv has never been a large manufacturing center with the huge enterprises, factories, and integrated producers. This city has never been related to the populous cities of Ukraine. The success of this city is in a beneficial geopolitical position, an attractive investment climate, a great amount of academic and cultural institutions and the most important is a high qualification of the staff that lives there.