Architectural utopia through the prism of cinematographic architectural images of the xx-xxi centuries

Authors: 

Olena Remizova, Kostiantyn Rusiev

Kharkiv National University of Civil Engineering and Architecture, 40, Sumskaya str., Kharkiv, 61002, Ukraine

The top informatisation of the world community is a phenomenon of the XX - XXI centuries. New means of communication and information transmission accelerated the dissemination of ideas, facilitate access to sources and their authors. And new forms of art such as cinematography, helped to gain the widest possible audience. Throughout the XX century architecture - the most public of the arts, and cinematography, the most popular and available one, were working in a kind of "tandem" and finally created a powerful tool which influences human consciousness, the ability to adjust and to build person’s relation to the real world. Most of architectural utopias were tested in a kind of the cinematographic virtual images. Cinematography reflected a look from outside, revealed both values and disadvantages of architectural utopias long before its implementation.

[1] Utopia – [Web source] – Access: http://www.thefreedictionary.com/Utopia [2] Brundtland Commission (1987). Report of the World Commission on Environment and Development. United Nations. – [Электронный ресурс] – Режим доступа: http://www.un.org/documents/ga/res/42/ares42-187.htm

[3] Tokarev A.: Ispolzovanie sredstv kinoiskusstva v arkhitecturnom proektirovanyi. Arkhitekton, http://archvuz.ru/2005_1/3

Токарев А. С. Использование средств киноискусства в архитектурном проектировании. Архитектон  – – [Web source] – Access:  http://archvuz.ru/2005_1/3

[4] Ikonnikov A.: Utopicheskoe arkhitekturnoe mishlenye,  Arkhitektura-S, Moskva, 2004, 190, 400

Иконников А. В. Утопическое архитектурное мышление / Иконников А. В. – М.: «Архитектура-С», 2004. – С. 190, 400.

[5] Vuek Y.: Mifyi i utopyii arkhitekturi XX veka, Stroyizdat, Moskva, 190, 189, 250, 251, 286.

Вуек Я. Мифы и утопии архитектуры  XX века./ Вуек Я. – М.: «Стройиздат», 1990. –  С. 189, 250, 251, 286.

[6] Warren Chalk, Archigram 3, quotation from Ruth Eaton, Ideal Cities.- N.Y.: Thames and Hudson, Inc., 2002, 53, 255

[7] Slovesnyie konstruktsyii: 35 velikyh arkhitektorov mira: Sbornik stateiy, KoLibri, Azbuka-Attikus, Moskva, 2012, 212, 240.

Словесные конструкции: 35 великих архитекторов мира: Сборник статей. / Под редакцией Евгении Микулиной. – М.: КоЛибри, Азбука-Аттикус, 2012.  –  C. 212, 240.

[8] Mumford Lewis. The Cultures of Cities. – A Harvest Book, 1970,  223, 586.

[9] Berger D.: Iskusstvo videt, Klaudberri, Sankt Peterburg, 2012, 9, 184

Бергер Д. Искусство видеть./ Бергер Д. – СПб.: «Клаудберри», 2012. –  С. 9, 184.

[10] Matetskaya A.: Sotsiologiya kulturi. Kulturnie cherti postsovremennoi epohi, YourLib.net, http://yourlib.net/content/view/350/16/

Матецкая  А.В. Социология культуры. Культурные черты постсовременной эпохи: З.Бауман, Ф.Джеймисон, Ф.Лиотар, Ж.Бодрийар. YourLib.net – [Web source] – Access: http://yourlib.net/content/view/350/16/

[11] Jencks Ch., Kropf K. Theories and Manifestoes of Contemprorary Architecture. – Willey- Academy, 2008, 8, 87, 378.

[12] Venturi Robert. Complexity and Contradictions in Architecture.- N.Y.: The Museum of Modern Art in association with the Graham Foundation for Advanced Studies in the Fine Arts, Chicago, 1966, 16, 32.

[13] Dobritsina I.: Ot postmodernisma – k nelineynoi arkhitekture: Arkhitektura v kontekste sovremennoi philosophii I nauki, Progress-Traditsiya, Moskva, 2004, 10, 416.

Добрицына И. А. От постмодернизма – к нелинейной архитектуре: Архитектура в контексте современной философии и науки / Добрицына И. А. – М.: Прогресс-Традиция, 2004. – С. 10, 416.