scenography

This article examines the implementation of an interdisciplinary course, "Architecture and Design in Cinema," within architectural education. The study provides a rationale for pedagogical methodologies that incorporate cinematography as a means to foster creative competencies among architecture students. Drawing on dissertation research concerning film clusters in urban structures, the course integrates cinema, scenography, and architecture.

The article explores the features of the architectural development of theater forumexhibitions as an important factor in the growth of theater within contemporary society. Theater is a powerful cultural expression, and even during the war in Ukraine, there is a resurgence of national culture. International experience shows that theatrical forums, such as those in Prague, Avignon, and Venice, serve as key platforms for presenting theater and architecture.

Scenography is a special kind of fine art and a visual aspect of a theatrical spectacle. Its task is to form the space of the stage with the help of plastic, painting and light-colour effects, which are inextricably linked with each other and theatrical action. In a theatrical performance, it is a way to immerse the spectator in something special - the atmosphere conceived by the director, created by the theatrical artist, director of light and actors.

Contemplating the works of monumental art that surround us in everyday life, you always see the numerous sculptural decorations of Lviv houses, carefully look at the wall paintings of temples, catch the glare of coloured stained glass windows. And the city itself, which has not been subjected to crushing destruction, not only has a considerable number of monumental architectural objects but also acts as a large complex representing the philosophy of different historical periods of society's existence. We see all this almost daily.

Abstract: Кінець ХІХ і ХХ-те століття серед усього іншого в архітектурі, дизайні, сценографії ознаменувались унікальною творчістю двох величних митців - Ф. Кізлера, що народився 22 вересня 1890 року в Чернівцях і Є. Лисика, що народився 21 вересня 1930 року в с. Шнирів під Бродами. Їх народження, життя, творча спадщина показала і довела, що епоха Великих митців театру універсального типу, що синтезували в собі архітекторів, живописців, скульпторів, декораторів, лідером серед яких був К. Ф. Шинкель, на них не закінчилася.

The article focuses on determining particular characteristic patterns of organization and human perception of space, regardless of whether it is anthropogenic, natural, closed or open, or whether it exists literally, or it is depicted on a canvas of theater curtains, or either conveyed through imaginative thinking of an artist. Understanding particular universal patterns of world and space perception ensure the possibility to use them as core principles for various techniques to be implemented by humans in modeling their own space.