форма

We consider the process of forming, which is carried out by means of providing differences, through structure, color, texture and texture. Form is conceived of as a structure of elements and relationships hierarchically divided to establish a cumulative unity. Its three objective categories are mass, texture and color. It will have a fuller and more correct meaning if we understand it as a kind of “active energy”.

This paper examines the concept of architectural form as the boundaries of external and internal characteristics of the form, its role in the structure of the compositional image and the disclosure of certain aspects of forming, characteristic of different types of materials, their assortment and typification.

The professional development of employees is an integral part of the organization's personnel man- agement, since the effectiveness and efficiency of its activities significantly depend on the level of profes- sional training of personnel in the conditions of the modern economy. Employees increasingly have to combine a wide variety of functions in their work, perform many different professional tasks, process large amounts of information, etc.

The main stages of the formation of morphology as scientific teaching are highlighted and characterized, the fundamental aspects of the concept of "form" are formulated, the features of the formation of morphology as an independent scientific direction are generalized, the categorical analogue of "morphological" in urban planning is traced, and the place of morphology in the teachings of form in urban planning is determined.

The article reveals the features of modelling the structure of the temple space, taking into account their symbolic-figurative and architectural-spatial implementation in church buildings of Byzantium and Rus-Ukraine. Sacralization of space and place through the manifested phenomenon of their consecration is created by the image and form of the temple building. The transformation of the planning and spatial solution of churches, from the domical bathylic to the form, shape, symbol, form creation, sacral, dome,

This article to make the attempt to exposed the symbol structure in its appearance and geometrical form as to expressed the sacral essence in the temple construction. This structure to manifests through the appearance-idea, the functionary-content to fill up and the sure symbol-sign that is show in the space of temple volume in sacred building. The significance manifests itself by the certain feature of the temple buildings, which in their imaginative expression symbolize the sacral essence of the God Temple that is show in some sacral forms-symbols.

Розглянено життєвий і творчий шлях львівських скульпторів кінця ХІХ – поч. ХХ ст. Проаналізовано їх монументально-декоративні і дизайнерські твори, виокремлено формально-стильові прийоми.