composition

The object of the study was composite materials using fly ash from Burshtyn and Kurakhiv TPPs as fillers and polymer dispersions Policril 590 and Latex 2012 as matrices. The relationship between the composition of the types of fly ash from Ukrainian thermal power plants and the peculiarities of the energy state of the dispersed filler particles surface as a factor of interaction with the binder in forming the polymer composite structure was determined.

Ukrainian iconostases of the early 20th century of the Galician region, preserved in their authentic form to this day, are of interest to art historians and scientists. The process of forming the architectonics and iconography of iconostases in the late 19th – early 20th centuries took place in difficult historical conditions on the principles of the national Renaissance. Research on Ukrainian iconostases of the early 20th century. Galicia, with its unique artistic solution, is becoming increasingly relevant in our time.

We consider the process of forming, which is carried out by means of providing differences, through structure, color, texture and texture. Form is conceived of as a structure of elements and relationships hierarchically divided to establish a cumulative unity. Its three objective categories are mass, texture and color. It will have a fuller and more correct meaning if we understand it as a kind of “active energy”.

This paper examines the concept of architectural form as the boundaries of external and internal characteristics of the form, its role in the structure of the compositional image and the disclosure of certain aspects of forming, characteristic of different types of materials, their assortment and typification.

The results of studies on the preparation and study of the properties of composite materials based on compositions of arylalicyclic copolyimide and alkylated montmorillonite (AMM) modified with polyethylene glycol to increase the affinity of a natural mineral to polymer matrix are presented in the work. It was found that an increase in the compatibility of composition’s components is due to the addition to copolyimide solution of previously prepared mixture of alkylated montmorillonite in 5 % and 2 % polyethylene glycol solution in methylpyrrolidone.

The article discusses the ways, methods and means used by architect Le Corbusier to organize the light environment in his sacred buildings: the chapel of Notre Dame du Haut in Roncham; the church of the Dominican monastery complex Notre Dame de la Tourette; the Catholic church of Saint-Pierre-de-Firmin. The churches were built in France in the 50s and 70s of the last century, with the exception of the church in Firmin, which was completed in 2006.

The article considers the possibility of reducing the man-made load on surface and ground waters in Lysychansk-Severodonetsk industrial agglomeration caused by numerous sludge collectors and tailings storage facilities of various industries formed many decades ago. The paper provides information on the location and technical condition of the sludge collectors of the liquidated "LYSSODA" manufacture (Luhansk oblast), the amount of waste currently stored in them as well as the impact of these wastes on the quality of groundwater in the area where the sludge collectors are located.

In artistic and stylistic terms, the architecture of Lviv's sacred buildings during the 16th-18th centuries was marked by a variety of appearances. The builders paid great attention to the plastic expressiveness of the building. The facades of sacred buildings were richly decorated, had a clear system of horizontal divisions of cornices and belts, carved in stone with ornamental carvings window frames, and portals of entrances.

The article highlights the topical problems of searching for new methods of using font and image elements in project design methodology of compositional integrity of graphic identification development for packaging of consumer goods.

Research purpose of the article is to outline and investigate the methods of reflecting identification of packaging with the help of author's unique image and font composition.

The article traces the history of the origin of the Manyavsky Hermitage and reveals the stages of development of the monastery from the beginning of its foundation and formation, prosperity to the decline, destruction and revival in our time. In the course of the research, the architectural-spatial and planning structure of the monastery ensemble of the Exaltation of the Holy Cross in Manyava were analyzed.