Розроблено автоматизовану підсистему визначення розподілу параметрів комфортності приміщення. Описано методи та алгоритми, за допомогою яких було реалізоване програмне забезпечення підсистеми.
A subsystem of automated determination of distribution parameters of rooms comfort facilities. We describe the methods and algorithms by which it was implemented software subsystems.
Розроблено методику проведення вимірів комфортності приміщень, здійснено іден- тифікацію параметрів та визначені розподіли освітленості і температури в 3D просторі.
Designed methodology of measuring rooms comfort facilities. Carried out the identification of the parameters and determined the distribution of light and temperature in the 3D space.
The article analyzes studies and publications on the subject of church architecture, which focus on the planning, volume-spatial features, traditions of the formation and development of wooden and stone church architecture, as well as light, color, material, compositional techniques, and symbolism in the formative vision of the development of Ukrainian church building.
The first experiences of designing virtual environments showed that in the future, professional education and theoretical reflection will face the problems of inconsistency of "traditional" ideas about architectural form with the features that it acquires in metaversal living spaces.
Життєвий та творчий шлях Фрідріха Кізлера є прикладом постійного дослідження світових здобутків у різних галузях науки і культури. Ці пошуки знайшли відображення у його власному творчому методі "гнучкої" архітектури, що базувався на ідеї безмежності простору, який згодом утвердився в напрямі "кореалізм", основою якого була постійна взаємодія між людьми та природним і технологічним середовищем їхнього існування.
The article is devoted to the historical features of the formation of Vicheva Square in Lviv and its current state. The work focuses on the historical background of the square planning, its development during Soviet times and degradation as space nowadays. The main tasks are architectural approaches and ways of the renovation of the area.
The purpose of this study is to identify the peculiarities of the formation and location in the structure of urban spaces, modern wooden temple architecture, its harmonious coexistence with the existing residential and public environment of Lviv. There is also a need to show the features of the material (wood) and its relief, namely the texture as a component of the perception of image and form, which accentuate the building of the temple in the urban spatial structure of Lviv.
In the twentieth century, there were significant changes in the paradigm of nderstanding and
creating art and architecture. A revolutionary idea was formed that anything can become a work of art because it
depends not on the quality of the object itself, but on the readiness of the viewer to perceive it. If the visitor of the
exhibition, looking at the exhibits, is overwhelmed with emotions and deep thoughts, then the goal of the gallery
owners and displayed artists is achieved. If not, then no matter how well the canvases or sculptures are done, the
The article examines the ontological primacy of space in the natural creation of the world. It is emphasized that space has occupied a leading place in the creation of the world. Together with space, the necessary natural laws were created. The author defines the space in the natural creation of the world. Man must learn to define his space, his place in the universe, in order to navigate life's problems. After all, all our lives are not homogeneous, not the same, which depends on our own movement in space due to the manifestation of his over-manifested will.
Kiesler’s art was not based on the theory of form, color, and means; his art was not a political instrument to comment on the state of society, and he did not consider his art to be the product of a scientific process, a result that contained a truth that was absolute. He believed that his art revealed a truth that science could not see, and that truth was the key to a “core” existence. He believed that his process and his ritual were attacked by the deceptive beliefs of others.