The sense of human life is to prove professional excellence in building your state. We do not think about what education and perfection are. We need to start with our native nest, locality, and region and join state structures with a healthy foundation. What we have: looted land and mineral resources, historical monuments, forests, protected areas, rivers and lakes, and the most disappointing thing is that we lose human professional resources.
The article reveals the peculiarities of the coverage of the architectural heritage in Ukraine from the historiographical point of view. The theoretical basis of the paper is the work of national and foreign culturologists, urban planners, geourbanists etc. During the twentieth century the thematic sphere of research of the city as a cultural phenomenon has significantly expanded.
The requirements for a mobile robotic platform (MRP) with an intelligent traffic control system and data transmission protection are determined. Main requirements are the reduction of dimensions, energy consumption, and cost; remote and intelligent autonomous traffic control; real-time cryptographic data protection; preservation of working capacity in the conditions of action of external factors; adaptation to customer requirements; ability to perform tasks independently in conditions of uncertainty of the external environment.
Has been carried out analysis of the subject area and main functions of the intellectual system for research of space weather parameters are identified. The model of static structure of intellectual system is developed as well as its dynamic aspects are modeled. Also is constructed an architecture of intellectual system for research of space weather parameters on the basis of “client-server” two-level model. The scientific novelty of the obtained results stands on developed model of the intellectual system for research of space weather parameters.
The article analyzes the development and influences on the formation of film studio architecture. The article reveals to what extent and how the architecture of film studios has changed and what influenced it. The work aims to study and analyze the development and factors of influence on the evolution of the architecture of film studios. The tasks include identifying the periods of formation of architecture, characterizing these periods, and investigating the factors influencing them.
The article considers the historical monks' cemeteries of the Holy Dormition Univ Lavra. The analysis of the preserved tombstones of cemeteries is carried out, their typology and character of plasticity are described. Particular attention is paid to under the slab burials as the most archaic of the preserved tombstones. The damage and loss of the ensemble of the cemetery as a whole and individual monuments are described, the state of preservation of the physical substance of the tombstones is studied.
The article analyzes the complex of historical and archaeological materials related to the architecture of the lost St. Peter's Church in Przemysl, which existed approximately from the XII-XIII centuries to 1679. Based on the systematization of the available data, an attempt is made to recreate the chronology of changes in the planning structure and appearance of the structure from the time of its appearance to dismantling.
Abstract: Кінець ХІХ і ХХ-те століття серед усього іншого в архітектурі, дизайні, сценографії ознаменувались унікальною творчістю двох величних митців - Ф. Кізлера, що народився 22 вересня 1890 року в Чернівцях і Є. Лисика, що народився 21 вересня 1930 року в с. Шнирів під Бродами. Їх народження, життя, творча спадщина показала і довела, що епоха Великих митців театру універсального типу, що синтезували в собі архітекторів, живописців, скульпторів, декораторів, лідером серед яких був К. Ф. Шинкель, на них не закінчилася.
This article is written in the wake of the first wave of the COVID-19 pandemic to shake the world and stagnant systems. After COVID, nothing would be the same as it used to be. It is what it used to be, and we were hoping for a different turn of events. However, things will not sort themselves out. So let us take a look at what cannot do itself, but must be done in architecture and design in general.
In the twentieth century, there were significant changes in the paradigm of nderstanding and
creating art and architecture. A revolutionary idea was formed that anything can become a work of art because it
depends not on the quality of the object itself, but on the readiness of the viewer to perceive it. If the visitor of the
exhibition, looking at the exhibits, is overwhelmed with emotions and deep thoughts, then the goal of the gallery
owners and displayed artists is achieved. If not, then no matter how well the canvases or sculptures are done, the